Space Scripts- ๊ณต๊ฐ„์˜ ๋ฌธ์žฅ๋“ค
A stage designer’s gaze on visually striking cinema. Exploring how space, silence, and structure shape emotion—on screen and on stage.
Oldboy โ€“ A Locked Room, A Horizontal Corridor, and a Designed Truth

๐ŸŽฌ Welcome to Space Scripts

 Hello, and welcome.

I’m a stage designer who views film as an emotional structure—where the spaces, not just the characters, shape the story.
This blog, Space Scripts, is a personal archive of how space, silence, and light become silent protagonists in both film and stage design.


๐Ÿงญ What This Blog Is About

  • A spatial analysis of cinema from a scenographer’s perspective

  • Understanding how architecture and structure convey emotion

  • Exploring visual rhythm, composition, and silence in mise-en-scรจne

  • Sharing sketches and design reflections from my stage works


๐Ÿ” What You’ll See Here

In the coming weeks, I’ll be posting:

  • ๐ŸŽž️ The Grand Budapest Hotel — Symmetry, pastel power, and theatrical elegance

  • ๐ŸŽž️ Her — Public loneliness and retro-futuristic calm

  • ๐ŸŽž️ Carol — Framing desire through distance and glass

  • ๐ŸŽญ My stage designs: I’ll Make You ResentfulThe Mermaid in the Reservoir, and more


✏️ Why “Space Scripts”?

Because I believe that every space is a script.
The way a room is built, lit, and entered tells its own story—even before a word is spoken.


This is my way of reading cinema as a scenographer.
Thank you for stepping into this world.



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